Jung An Tagen – “1:53 into the Future”

In the movie “Max Headroom: 20 Minutes into the Future” a cable network has created a new form of very short, subliminal advertisements called “Blipverts”. This new technology has only one flaw: when lazy and fat people watch them they explode. Having a bit of a mix-fatigue, I found by compressing time I can concentrate actually better on specific sounds. Disclaimer: don’t be lazy.

Marcin Pietruszewski – “nupggendy3modulatorDistCauchy (srewdrivers)” (The New Pulsar Generator Recordings Volume 1, 2020)
RM Francis – “Fffffffffffff” (Nth White Dot, 2020)
Victor Moragues – “Spectral” (Through Antiforms, 2020)
Rene Hell – “Smile Models” (Vanilla Call Option, 2013)
Lee Fraser – “Pline Expol A” (Cor Unvers, 2018)
Philippe Vandal – “Digiprog Schedule” (Umwelt, 2019)
Marcin Pietruszewski – “sieveSequence(001)” (The New Pulsar Generator Recordings Volume 1, 2020)
Jean Schwarz – “Erda” (Erda/Symphonie, 1976)
François Bayle – “La Fin Du Bruit” (Version 2009 Inédite) (50 Ans D’Acousmatique, 2012)
Jung An Tagen – “Movement” (Emergent Properties, 2020)
Bernard Parmegiani – “Kaléidoscope I” (Groupe De Recherches Musicales, 1974)
Jean-Claude Risset ‎- “Mutations” (Mutations, 1978)
Marcus Schmickler – “Hypercubist Pareto Dist” (Palace Of Marvels, 2010)
Jung An Tagen – “Thimblerigger” (Emergent Properties, 2020)
Marcin Pietruszewski – “nupggendy3modulatorDistHyperbcos_(interlacings)” (The New Pulsar Generator Recordings Volume 1, 2020)
Xenakis – “S.709” (Electronic Music, 1997)
Hecker – “bsf°tyk 5” (Sun Pandämonium, 2003)
3.14… – “xwu, 7, en” (μ, 2020)
Marcin Pietruszewski – “Sieve Decantation” (Auditory Sieve, 2020)
RM Francis – “>>MORE[[Cartoon & Child]]>>” (A Taxonomy of Guffaws, 2020)
Marcus Schmickler – “New Methodical Limits of Ascension” (Palace Of Marvels, 2010)
Elías Merino – “SUA6” (Synthesis Of Unlocated Affections, 2020)
Lee Fraser – “Ply” (Cor Unvers, 2018)
David Tudor – “Phonemes” (Three Works For Live Electronics, 1996)
Tony Lugo – “ii_kawp65261” (Pulsar​.​scramble vol. 2, 2020)
David Dunn “Gradients (1999)” (Autonomous And Dynamical Systems, 2007)
Denis Smalley ” Tides – Pools And Currents” (Tides, 1993)
Francisco López – “Untitled #384” (Tour Mode, 2020)
Lauren Sarah Hayes – “Crummiest Coup” (Tour Mode, 2020)
Ben Kudler – “Palace of Swallow” (Tour Mode, 2020)
Ian M Fraser – “Sowing and Reaping” (Tour Mode, 2020)
Maryanne Amacher – “Chorale 1” (Sound Characters (Making The Third Ear, 1999)
Marcin Pietruszewski – “modulator (mOPulWM)” (The New Pulsar Generator Recordings Volume 1, 2020)
Rene Hell – “Smile Models” (Vanilla Call Option, 2013)
Garino Luca – “Part I” (Pura Forma Vuota Del Tempo, 2020)
PARSA – “Cloth Simulation Battle” (Musique Grossière, 2020
RM Francis “”whe”.- – – 0.03778-89” (CODE889, 2019)
Christian Di Vito “fsc#1+2” (Pulsar​.​scramble vol. 2, 2020)
Elías Merino – “SUA5” (Synthesis Of Unlocated Affections, 2020)
Eric Frye – “Sheafifications” (On Small Differences In Sensation, 2016)
Lee Fraser – “Reliq Ens” (Cor Unvers, 2018)
Rian Treanor – “Obstacle 4” (Obstacle, 2021)
Hecker – “A Script For Machine Synthesis” (A Script For Machine Synthesis, 2016)
Curtis Roads “Micromontage” (Microsound, The MIT Press, 2004)
Eric Frye – “Permutations” (Some Consequences Of Four Incapacities, 2014)
Kieran Daly – “Second-Order Aliasing Artifact Synthesis and The Problem of The Many” (Pulsar​.​scramble vol. 2, 2020)
Atte Elias Kantonen – “TasinTannnngible” (Tour Mode, 2020)
Hecker – “Modulator (… meaningless, affectless, out of nothing …)” (Articulação, 2014)

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