Alte Schmiede




Cam Deas is a musician and sound artist based in London. His practice concerns abstract sound, polytempos, irregular tuning systems, improvisation and stochastic and computer generative systems to create immersive environments of sound and music. He has presented his work internationally, performing around 300 live concerts at venues such as Cafe Oto (London), Tank & K11 (Shanghai), Jazzhouse (Copenhagen), ICA (London) and Cave12 (Geneva). He has also received a number of commissions to create new work including residencies and projects with ShanghART (Shanghai), KWM Art Centre & The Bunker (Beijing), Vooruit (Ghent), Les Ateliers Claus (Brussels) and on the island of Fano in Denmark.

His work is not subject to straightforward categorisation, with output ranging from solo acoustic guitar exploration through live electro-acoustic performance, to pure synthesis and computer generative music. In 2018 he released Time Exercises on The Death of Rave, consisting of five works for synthesiser and computer, his first release of purely electronic work. The pieces explore polytempos and relative ratios between pitch and rhythm in a dense electronic space, described as “disembodied music playing out a thrilling dramaturgy and syntax of alien dissonance and disorienting rhythmic resolution”.


Dino Spiluttini is a composer and producer based in Vienna, Austria. His vigorously expressive approach to contemporary electronics responds to precarious emotional dynamics and elegant harmony. The emotional potency of his music lies often in its tendency to yearn for resolution without quite finding any, its flirtations with fulfilment and respite interrupted by anxiety and brooding. The weight of these dramatic scenarios owes much to Spiluttini’s meticulous production, his sinews of sparse arrangements scrunched into thrashing evocations of troubled embodiment, frustrated identity, or worldly unease.

Spiluttini’s most recent release, Heaven (Editions Mego, 2019), contemplates death, reunion and bodily perfection in restless encounters between choirs, organs, harps and pads. He is active also as Wrong Body, whose Benzo Edits (Cut Surface, 2019) adds the lyricism of R&B crooning to his expressive outlets.