Through the echoes of an acoustic guitar and vocal expressions, Dora Bleu explores intimacy as the place where the capitalist war state replenishes itself. Her work is neither fully composed nor improvisational. The songs follow an inner sense of narrative time, and are simultaneously tonal and atonal. The guitar is sparse, tense, atmospheric, suggestive of without enacting melodies, sometimes droning or dissonant. The vocals contribute to uneven compositions filled with stark silences and bent notes. The songs intend to violate the concept of genre, to erupt trauma within storytelling, and to evoke vulnerable and unprotected dreamlike states of the in between.