Kordik’s music making spans across three domains: electronic music, free improvisations and field recordings. Over the years, he’s been involved in several projects, including the hardware noise duo Jamka and his solo and collaboration ventures, which span across free improvisation, electronic music and field recording (check out his [Sy][ria] release on LOM, for instance). His solo albums ‘Spojky čiary’ and ‘Ocela’ are continuation of a venture devoted to the dance – dance for dance’s sake, without its social function or manipulation. Last year Kordik released ‘SATIS’. This album was a musical collaboration between Weltschmerzen and the Slovak Chamber of Architects. Crafted as a dynamic soundtrack for the CE ZA AR architectural prize in Slovakia. Kordik is a frequent collaborator with Štefan Szabó, Miro Tóth, Jozef Krupa, Michal Matejka, Ken Ikeda or trombonist Edward Lucas and guitarist N.O. Moore with whom he co-runs Earshots Recordings dedicated to free improvisation. His last free improvisation album ‘End No End’ recorded together with Eddie Prévost came out last year.