Adam Harper is a music critic and musicologist currently working as a lecturer at Christ Church and St John’s Colleges at the University of Oxford. His work investigates the role of technology in the production and meaning of music in both contemporary and historical settings. He has written for Wire, Resident Advisor, The FADER, Dummy, and Frieze, blogged at Rouge’s Foam, and is the author of Infinite Music: Imagining the Next Millennium of HumanMusic-Making (Zer0 Books, 2011), which rethinks the ontology of music in the context of contemporary musical possibilities. He has given talks on music at CTM, Unsound, Berlin Music Week, Donaufestival and more. He is currently working on a study of the meanings of electronic audio oscillators intwentieth-century music and audiovisual media.