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  • EM GUIDE: With mappa on the fluid boundaries between fictional and real sound worlds

    EM GUIDE: With mappa on the fluid boundaries between fictional and real sound worlds

  • A queer platform dedicated to experimental electronic music – AN INTERVIEW WITH TENDER MATTER

    A queer platform dedicated to experimental electronic music – AN INTERVIEW WITH TENDER MATTER

  • “I don’t like how it feels, when it’s not 100% genuine” – An Interview with DJ LOSER

    “I don’t like how it feels, when it’s not 100% genuine” – An Interview with DJ LOSER

  • “Die Harfe war schon immer sehr mit Klischees behaftet” – Im Interview mit Miriam Adefris

    “Die Harfe war schon immer sehr mit Klischees behaftet” – Im Interview mit Miriam Adefris

  • EM Guide: Ored Recordings – Punk ethnography and the sounds of the North Caucasus

    EM Guide: Ored Recordings – Punk ethnography and the sounds of the North Caucasus

  • EM Guide: Underground Culture Under Threat (Part I) — Georgia’s illiberal turn and resistance movement

    EM Guide: Underground Culture Under Threat (Part I) — Georgia’s illiberal turn and resistance movement

  • EM Guide: The Muscut and Shukai sounds of lost futures

    EM Guide: The Muscut and Shukai sounds of lost futures

  • Unsafe+Sounds Festival 2024: First programme details

    Unsafe+Sounds Festival 2024: First programme details

  • „Die Theaterproduktion ohne Theater“ – Aki Traar im Interview

    „Die Theaterproduktion ohne Theater“ – Aki Traar im Interview

  • “Ich hasse Musik”: Conny Frischaufs Sprach- und Hör-Spiele entlang der Grenze zwischen Da und Dort

    “Ich hasse Musik”: Conny Frischaufs Sprach- und Hör-Spiele entlang der Grenze zwischen Da und Dort